Showing posts with label Portrait Photography. Show all posts
Showing posts with label Portrait Photography. Show all posts

Sunday, 8 September 2013

Beauty: Bibi by Michael Taborsky in 'Dazed Fairy'


With the magazine publishing industry growing bigger than ever and the format of magazine continuously shifting, it's never been so easy to create a magazine online. One that stood out was institutemag.com. I particularly like the beauty editorials such as 'Dazed Fairy' by Michael Taborsky, a talented photographer who has only been shooting fashion and beauty since 2012. I particularly like the softness and shallow depth of field, this effect to portraits really draws you in. Her skin is like silk complimenting the colourful hair, beauty and accessories styling. This is a good example of talented individuals making a striking editorial. She certainly is a captivating dazed fairy.


Dazed Fairy4
Dazed Fairy5
Dazed Fairy6



Model Exposure: Archana, The Indian Model


Archana Kumar came up on my models.com feed and my, what a beauty she is! You rarely see striking Indian models on the Western model circuit as they are usually Bollywood actresses (who are glamorously gorgeous). However Archana possesses both feminine and masculine beauty with strong jaw and cheek lines; it is no wonder she's getting featured in the top fashion magazines including Vogue India, Elle India, Harper’s Bazaar and Marie Claire. Her natural beauty is charming and distinguished. It's always refreshing seeing a face so captivating and interesting.

All photos from: http://models.com/newfaces/dailyduo/30836




Wednesday, 16 May 2012

Beauty: Lara Stone by Josh Olins


Whilst going through my daily feed of current fashion photography I was mesmerized by this beautiful portrait of top model Lara Stone (above). Though many consider her not conventionally beautiful by the gap in her teeth and porcelain skin she has managed to take the fashion world by storm; her ability to transform herself into anything. I believe Josh Olin has captured natural beauty in the photo alone and all the details such as the adorned embellishments amount to an enchanted fantasy. Her direct gaze is what I find most fascinating especially the expression in her eyes. This photograph is powerful yet soft at the same time and I believe images that possess a balance between the two are the most compelling.

Lara Stone is photographed by Josh Olins and styed by Gillian Wilkins for Vogue Nederland May 2012


More photos from the shoot:




Beauty: 'Black is Beautiful' by Eve Arnold



Above image photographed by myself from at The Sunday Times Magazine 50th Anniversary exhibition at Paintworks, Bristol (Mar 23 – Apr 3 2012)

‘This image by Eve Arnold of an unnamed model was used as a cover picture in 1969. It was seen as ground-breaking at the time, even though the Civil Rights Movement in the US had already made great strides towards racial equality. Other photographs, taken mainly in Harlem, and a report by Eve Arnold addressed the slogan “black is beautiful”, which was in widespread use at the time. It was coined by the black poet and social activist Langston Hughes.’ - accompanying caption to image at the exhibition.

I believe Arnold’s image truly captures black beauty and that beauty isn’t restricted to one race. Publishing such a controversial image (at that time) in a national newspaper was a great platform to showcase ‘other’ types of beauty and challenged racial segregation and beauty. Who are we to say one race is superior and more beautiful than the other?

Useful Links:
The Sunday Times 50th Anniversary Exhibition http://www.thesundaytimes.co.uk/sto/public/magazine/article858993.ece

Beauty: 'Real Beauty' by Jodi Bieber

 

Bieber’s body of work has been very inspiring and brave to challenge the concept of beauty. There has been much speculation to what beauty truly is yet there is no true answer. Everyone has their own view yet the media feeds the ‘fair-skinned, slim and sleek’ look as the typical beauty so we are forced to sallow this perception. Bieber goes against this and wants to show the real life people, not airbrushed but as beauty comes in the majority of the population; she focuses on shooting in her native country: South Africa. It is interesting to see how she addresses various themes such as race and body image in such a conservative nation. Shooting her subjects half-naked shows confident women in their entirety, not hiding their true body and shape. I am particularly drawn to the above photograph as I rarely seen a South Asian woman in just a bra and underwear, let alone being middle aged. This is due to cultural norms that don’t condone showing naked flesh as it conjures negative perceptions on the woman. I like how the woman in this image stands up for Bieber’s ‘Real Beauty’ project and that she looks proud of whom she is. The fact that Bieber shoots the portraits in the sitter’s home gives the viewer a sense of who the person is and makes the project even more personal. The little details such as the blue hanger and flower bed sheet shows how this image is constructed up to point, but the environment seems untouched. Usually I prefer portraits with a shallow depth of field and the background blurred, however in this case the background is as much in the foreground as the sitter is. Though the sitter is conscious of the photographer, in this series the subjects all seem rather relaxed and Bieber’s approach certainly eases any anxiety the women in the photographs had.


As my current project looks at the concept of beauty and the relationship with the media, especially the fashion industry I am enthralled to have come across Beiber’s ‘Real Beauty’ project as her themes confronts the ‘ideal’ beauty and raises questions on what it is. I like how Bieber finds it within and in her interviews she states her findings that ‘most women believe that there is no real perfect body shape, and that beauty is more about being healthy and feeling comfortable in one’s own skin’; this corroborates with my survey I posted on Facebook on what my friends thought beauty in people was. See my survey responses here.

Read an article on Jodi Bieber's work discussing 'Real Beauty' on Visura Magazine.

Useful Links:
British Journal of Photography - 'Sister Show' by Diane Smith http://www.bjp-online.com/british-journal-of-photography/profile/1646030/sister

In Discussion: Photography and The Law


What are the Morals and Ethics?

Reading on the infamous photography legal case between renowned photographer Philip-Lorca diCorcia and Erno Nussenzweig, an Orthodox Jew it raised question on the morals and ethics of reproducing images, photographing the public and who should own the copyright. Read more on the case here [1].

Philip-Lorca diCorcia's photo of Nussenzweig from his portraiture series 'Heads' (2001)

After acknowledging various viewpoints I have come to agree with the consensus that the photographer has the right to take pictures in a public place and photograph people unknowingly. In Philip-Lorca diCorcia's case, I agree with the New York State Supreme Court's ruling in his favour.

In today's surveillance society everyone is subjected to being watched, by who, we are not knowing; in a sense we are continuously being photographed, frame by frame. A student from my photography course, Rebecca Sharplin-Hughes, states 'The only difference about having your photograph taken is that the photographer has the right to do whatever they please with the photograph, this may mean that a photograph of you is published for all of the public to see,' .

Technology and accessibility have allowed practically anyone to own a device that can take a picture such as a phone camera, DSLR, compact camera and many more. In today's globalized world social networking is particularly prominent today; so an innocent photograph of the street which can capture many people's faces and then published online can be viewed by hundreds and more. This can be seen as a violation of privacy as the people in the photograph have not consented yet this is not necessarily frowned upon or unethical as such yet the viewership can be considerably higher than if a photograph was published in an gallery for example.

If someone, a photographer per se, decides to take this street photography further and to make a 'professional' body of work and publish unsuspecting people of the public in art galleries etc. it is seen as an invasion of privacy. I can relate this issue to instances such as wanting to take a 'professional' DSLR to a concert which I am not allowed purely down to the fact it looks 'snazzier' but compact cameras are accepted yet the function and act of taking a photograph is exactly the same. So in many cases many people see that if a photograph is 'professionally' being taken it can be more unethical but if it's done in an amateur manner it isn't. For example, if a professional photographer used a tripod & camera in the street one may seem more uneasy however an amateur tourist snapping pictures, one wouldn't seem so suspecting. The issue of taking photographs in public can come down to the professional instance however questions such as 'what is professionally taking a photograph' are debatable.

I found this statement interesting by fellow colleague, Sarina Langer's: 'Richard Billingham said that all photography is exploitative, and that all we can do is make the photograph so artistically good that this becomes relatively irrelevant.' I agree with the fact that taking photos in public is fair, but when forcing yourself onto someone's property/land is not only unlawful by trespassing but morally wrong. 

Overall I don't believe in intruding someone's space (in which Philip Lorca diCorica did not do as he used a powerful telephoto lens) is morally right, especially someone's home, however in public people should have the freedom to take photographs and publish them with respect. Then again this raises questions such as 'what is respectable?'.

References:
1. Wikipedia - Nussenzweig v. DiCorcia http://en.wikipedia.org/wiki/Nussenzweig_v._DiCorcia


Useful Links:

In Discussion: Is Digital Photography Devaluing the Photograph?

There has been a long-lasting debate over digital photography vs. analogue and where photographers all over the world are arguing each side. After reading an interview by James Weston discussing Ricky Adam's new book; 'Destroying Everything' points were raised on the role of post-production. See full interview here [1]. There are various factors to consider in this debate such as photographers shooting style, image quality, cost & efficiency, accessibility, manipulation capabilities, archiving, credibility, processing effects etc. which photographers take into account when shooting an image. Thus there are pros and cons of each.

Many photographers use film for its nostalgic quality however increasingly the younger generation are picking up this traditional mode and embracing the processes involved. Many regard film as being outdated though it is one of the first things one learns on a Photography course: the darkroom. Ricky Adam states 'You have to be a lot more resourceful when shooting film. For one you shoot fewer photos, but in doing so I think you learn a lot more about composition, lighting' For this reason we (photography students) are taught the importance of composition which someone doesn't seem as important in digital photography where we have the luxury of shooting many images stored on a small memory card. Especially when I was shooting on medium format film I had the added pressure of getting the 'right' shot in 10 frames meaning I carefully thought of how I created my images. Though the downfall of this is that it is difficult to experiment with ideas and adjusting lighting when you cannot see the image instantly (except Polaroid style cameras) whilst on a budget (film is expensive to buy as it isn't as in demand).

Though the digital camera is superior for image quality with incredibly advanced technology such as the Hasselblad's 200-megapixel camera [2] many pro photographers, especially in the commercial market opt for digital. The ease of transferring and uploading files quickly through the internet and having the ability to manipulate the images is favourable especially in a 'perfection' obsessed society. The 'flaws' such as grain noise, colour leaks usually found in film do not fit with non-blemished image of today.

Despite this I am firm user in Photoshop and admittedly have airbrushed and retouched both digital and scanned film images in what I believe is enhancing the image. Below are 2 photographs, one before post-production, the other after. The original image is a 120mm colour negative that I scanned in. I believe that without digital advancements and availability I would not be able to produce an image I was satisfied with.

(From my Hollie Beauty Shoot, 22/02/12, using a Mamiya RB67)

In some aspects images are a portrayal of something/someone and never the true likeness; how can one capture the 'truth' in a photograph when it is only two dimensional? Therefore digital photo-manipulation does not devalue the photograph but is a means to reach the photographer's intentions for the image. Film photography does not possess the technical capabilities unlike digital photography. It all really depends on what the photographer wants to achieve and the necessary means, either digital or film, to reach that. The question is not which is better as I believe they are equally powerful mediums in their own right.

References:
1. DigBMX.com - Ricky Adam: Destroying Everything http://digbmx.mpora.com/photo-ops/ricky-adam-destroying-everything/ [Accessed 16/05/12]
2. Hassleblad 200 mpx camera: $45,000 http://news.cnet.com/8301-30685_3-20066021-264.html [Accessed 16/05/12]

Useful Links:
Wikipedia - Digital versus film photography http://en.wikipedia.org/wiki/Digital_versus_film_photography
Kenrockwell.com - Film vs. Digital http://www.kenrockwell.com/tech/filmdig.htm

Tuesday, 15 May 2012

Image Exposure: Charlotte Free by Terry Richardson

For one of my other modules on my photography course I was looking into fashion photography and style and thought of Terry's work. One of the images that caught my eye whilst looking through his wealth of images on Terry's Diary was one of model Charlotte Free.

Charlotte Free at my studio #9
December 29th, 2011


This particular photograph stands out from his vast archive of images where he posts practically every day. It dates back to December 29th, 2011 with a caption of ‘Charlotte Free at my studio #9’. I like how simple the set-up is with a single flash attached to the camera body as the only source of light. This set-up is most common for his studio portraiture where he shoots many of his friends, acquaintances and models in his home studio. Usually he shoots black/white for this set up however there are examples of colour portraits such as the above photo. Terry prefers taking pictures in a landscape format showing only the torso and face. I think this particular set-up of shooting is Terry’s trademark style and is reminiscent of his portrait editorials for big magazines such as Rolling Stone. There have even been editorials using this simple set up for magazines like Purple Fashion. Despite Charlotte Free being an up-and-coming model being shot for various advertisements I originally thought she was one of Terry’s acquaintances who had quirky style so decided to shoot her over again. The reason why I chose this shot is I like the off white background and the slight vignette from where the flash fades outwards and her carefree expression. Terry has a great knack of getting the most of his subjects and showing off their personality on camera. He isn’t afraid of highlighting the fun side of ‘untouchable’ celebrities and portraying them as normal people who want to have fun too. In relation to my project about photographing people with style and loving what they wear, Charlotte Free is a great example of individual style. This photo isn’t made up and she hasn’t got a make-up/stylist team on hand; she is herself wearing clothes she enjoys wearing. The salmon pink colour in her t-shirt goes with the aesthetics of her hair and pale skin. Though this image only reveals one item of clothing, a person’s style is in much more than the clothes they wear, but how they wear it as well as the characteristics of their hair and skin. The viewer feels the essence of being a kid and having childlike freedom from her ‘The Ren & Stimpy’ t-shirt (which is seen as vintage today) and the motion of flying her hair around.

Useful Links: 

Blog Exposure: Terry's Diary

My new feature 'Blog Exposure' will look at my favourite blogs all over the net alongside my other 'Exposure' posts such as 'Artist Exposure' and other snazzy new features coming soon! In a society slowly obsessed with blogging, a free platform to share our thoughts and snippets of our lives, there's been a sudden emergence in photographic blogs, fashion and all things 'artsy'.

This post will look at one of my favourite photographers: Terry Richardson, a fashion portrait photographer whose style is very bold, suggestive and fearless in his approach. He has photographed from the likes of Lada Gaga, Jared Leto, Katy Perry, Amy Winehouse, Kate Moss and even Barack Obama... (just to name a few!) I love his candid portrait photography especially those of celebrities as he shoots them in such a fun manner you wish you were there joining in with the laughter.

Print screen of Terry's diary home page 15/05/12 00:47 (GMT)  http://www.terrysdiary.com/

On his infamous Tumblr blog: http://www.terrysdiary.com/ which he updates daily the reader gets to see his life in photographs. Its an insight into pop culture's icons, the people we are obsessed with and Terry's diary is a window into that crazy world. He gets access no other photographer has gotten. I love the simple clean layout allowing the photographs speak for themselves and the consistently multiple daily posts. There's currently 599 pages on his blog with 15 images on each page; doing the math that's like 8985 images! Being a portrait lover inspired by pop culture this is the go-to blog.


Print screen of Terry's diary archive page 15/05/12 00:49 (GMT) http://www.terrysdiary.com/archive



Let me know what you think of Terry's Diary and your favourite images from his blog!


Useful Links: 
models.com - Terry Richardson http://models.com/people/terry-richardson

Read More:
V.E.S.T: Image Analysis: Charlotte Free by Terry Richardson http://nishahaqvisualexploration.blogspot.co.uk/2012/05/image-analysis-charlotte-free-by-terry.html

Monday, 14 May 2012

Exhibition Review: Someone Else by Shilpa Gupta

Arnolfini, Bristol
3 March 2012 - 22 April 2012

Image: Taken by myself at the exhibition, 'Singing Cloud' (2008-09)

After attending Sophy Rickett's 'To The River' exhibition on the ground floor I made my way up to Shilpa Gupta's 'Someone Else' consisting of five artworks spanning 7 years of work. I was particularly interested in her work especially her choice of medium using 3D art installation, typography and photography. Her work examines 'themes of desire, conflict, militarism, security, technology and censorship' [1] The varying pieces look at how the media affects us. Exploring the theme of media grabs my attention as am interested in the relationship between the two. 

As we enter the first room, 'Someone Else' one see's a metallic book shelf consisting of 100 silver 'blocks'. Only until one looks closer you realize that they are recreations of books from all over the world that have been written either anonymously or under a pseudonym. On the cover she explains why the author had chosen anonymity. I was engrossed in reading the reason and learnt a lot historically from this piece of art. Shame I didn't have enough time to read through all 100 of them! The second piece was the main attraction of the show, 'Singing Cloud', a suspended giant cloud made of 4000 microphones. She reversed the function of the microphone and its emits a soundtrack rather than used to record. I was very impressed with this art sculpture and gave an unsettling experience especially as the room was dark, one could just see the small reflections of light bouncing off the microphone heads. This room was shared with a flap-board used to announce departures so the echoes transmitted around the room in the shadows gave an eerie feel which I particularly enjoyed as a piece of art doesn't usually leave an unsettling effect on me. The penultimate piece were four photographs of her stylized in military clothing pinned to the wall that are part of a wider series 'Don't see Don't Hear Don't Speak'. She shows the effect of violence in today's society and makes the viewer think about today's current affairs. The final piece is brightly bold typographic piece entitled 'There is No Border Here' shaped in a flag. She explores the idea of borders and nationhood and as an Indian artist this piece feels like a reflection of her. 

I thoroughly enjoyed this exhibition as I didn't know what to expect moving from one room to the other and the atmosphere differentiated entirely creating a new buzz every time. I enjoyed the diversity exhibited and hope to see more of her exhibitions in the future.

References:
1. Exhibition Guide document - Arnolfini, Shilpa Gupta, Someone Else

Useful Links:

More of my photos from the exhibition:

 'Someone Else' (2011-12)

'Someone Else' (2011-12)

'Someone Else' (2012-12)

'Untitled' (2008-09)

'Untitled' (2006)

'There is No Border Here' (2005-06)

'There is No Border Here' (2005-06)


Sunday, 13 May 2012

Beauty: Supermodels Supernaturals by Peter Lindbergh

 Harper’s Bazaar Sept 2009

Peter Lindbergh is famous for his ‘classic’ approach to fashion photography and is on hot demand in the fashion industry. His shooting style is high-end glamour making the fashion instantly irresistible however from for this shoot he has stripped bare the made-up glamour and shows the real beauty in ‘supermodels’. In an industry fixated on youth which in turn reflects on wider society, the older generations are left behind and only a select few ‘mature’ models representing the whole age group. Adolescent models that have barely grown full breasts are being cast to model ‘adult’ fashion yet they are not adults themselves. This is confusing for the consumer and contradicts the true population, especially the target audience which is the older generation who are rich enough to purchase expensive designer clothes yet society is obsessed with youth and associates this with beauty. This particular shoot in Harper’s Bazaar shows that models over 30 are still beautiful and is ridiculous to think otherwise. The viewer can see their experience and Lindbergh captures this wonderfully. It’s refreshing to see non-airbrushed models that dominate the beauty and glamour market; Valletta, 35 (above) doesn’t need these digital touch ups as she is naturally beautiful. I like how her eyes are sincere and her simple expression. Usually I’m not fond of overly grey portraits as the tones are rather dull however the subject matter is so strong, the beauty shines through the dullness and shows that high contrast isn’t needed. Like Avedon and Daemian Smith I like the simple approach and that this method works best to show beauty as it is. Nadia Auermann (below) says ‘"I think women look best when they're natural,". I completely agree with this statement.

More photos from the editorial:
[Left – right]
1. Kristen McMenamy, 44 / 2. Helena Christensen, 40 / 3. Nadia Auermann, 38 / 4. Shalom Harlow, 35


References: 

Useful Links:
Fashion Gone Rogue - Peter Lindbergh http://fashiongonerogue.com/photographer/peter-lindbergh/



Beauty: My Generation by Andreas Laszlo Konrath

2004-2010

I enjoy discovering new art and Konrath’s work was found by chance after a succession of internet links [1] all connected by the world wide web but every HTML unique in its code. Like the human race, we are all made up of different genetic codes but all belong to the same species. Celebrating differences and uniqueness is a popular subject amongst modern artists including Konrath’s ‘My Generation’ series. Like many photographers before him he has adopted this style of a plain white background, studio style set up and opted for black-and-white portraiture, reminiscent of Richard Avedon and David Bailey. Despite being relatively unknown Konrath embodies youthfulness and instead of having the privilege to shoot celebrities focuses on shooting his own generation and their distinct style. Like Scott Schuman states in The Sartorialist’:  That is why young people, or the young at heart, are those that inspire or move fashion forward. They are still struggling to find themselves: ‘Am I a rocker? A footballer? Or a little bit of both?’ These contra-dictions produce the most interesting looks’. [2] Konrath shoots beautiful, sincere portraits of his young generation showcasing the diversity. ‘Sheryl, 2007’ (above) is particularly engaging as I am first intrigued by her ethnicity however I don’t believe this is the main focus; her individuality is what Konrath is trying to show rather than her representing a whole race; she is being photographed representing herself only. The tattoo on her shoulder adds to the uniqueness of her character and her fresh face shows she isn’t hiding behind a mask of make-up. Looking through ‘My Generation’ has been inspiring and I enjoy realizing different styles to emphasize individuality within a similar age group. I also like the ‘grunge’ effect on the borders making the ‘clean’ images smudged with imperfection. This reflects youth where many people make mistakes and are learning. Not only does this series look at youth but the beauty within. I believe this portraits are very beautiful as they’re simply shot and captures people as they are, natural.

[Left – right]
1. Max, 2006 / 2. Sean, 2006 / 3.Vala, 2010 / 4.Erin, 2008



References: 
1. Discovered on http://www.nutopiaforum.com/magazine.html [accessed 06/05/12], an online magazine showcasing photography from emerging artists created by Platon, renowned for his portrait photographs of well-known world figures. His work has featured on magazine covers such as Time, Rolling Stone and Esquire. 
2. Schuman, Scott; ‘The Sartorialist’; published: Penguin (Sep 3 2009)


Useful Links:

Beauty: Kelly Moreira by Daemian Smith + Christine Suarez

May 6 2011

Although this isn’t commissioned work I believe it’s one of Smith’s strongest works where he photographs models as a simple headshot showcasing their natural beauty rather than made up in unnatural poses selling garments. These portraits are like the Polaroids casting agents take when looking for models however don’t show the depth and detail that Smith captures. Much of his portraits in this style are shot black-and-white but I believe colour adds complimentary softness unlike the monochrome images which have a hint of harshness. I particularly chose to highlight this image as in the fashion world fair-skinned models dominate the catwalk and billboards so it is a rare occasion to see natural dark skinned beauty. Looking into beauty, Smith shows that modification doesn’t necessarily mean automatic attractiveness as Kelly Moreira (above) is naturally stunning. With today’s society obsessed with fair skin and sleek hair, Moreira goes against the norm and stands beautiful in her own skin. I especially like portraits with a shallow depth of field and believe this is shot on a 50mm lens to create the depth that is desirable in head shots. The soft focus accentuates her soft skin and draws focus on her dark eyes where the viewer is transfixed.

References:
Check out Daemian Smith and Christine Suarez blog 'Should Have Taken More Pictures'

Useful Links:
Check out my Sept 2010 post on my blog M.A.S.H on this photographer and their model portraits: http://mashthings.blogspot.co.uk/2010/09/black-white-portraiture-by-daemian.html

More images of fresh faced models:
[Above, captions left-right]
1. The hypnotic eyes of beautiful Kristina at New York Models. Shot with the Leica S2. / 18 Apr 2012
2. TSANNA / 22 May 2010
3. Rose Cordero / 16 Nov 2010
4. The beautiful skin tone of Jenny Albright at New York Models. / 5 Apr 2012


[Above, captions left-right]
1. Enyelisa at IMG. Shot with the Leica S2. / 16 Apr 2012
2. Flawless Fanny Fournier. / 17 Aug 2010
3. The graceful and expressive face of Lise Aanes at Root Management. Shot with the Leica S2 / 22 Mar 2012
4. Our beautiful friend Nina De Raadt at Ford. / 27 Apr 2012

Exhibition Review: Taylor Wessing Photographic Portrait Prize 2011

National Portrait Gallery, London
10 November 2011 - 12 February 2012


Though this exhibition has ended I am still inspired by the 60 shortlisted entries that were exhibited at the National Portrait Gallery that I visited 31st Jan. My memory may not be as vivid however there are a few images that still stick in my head yet this does not involve the winning photograph by Jooney Woodward, ‘Harriet and Gentleman Jack’ (2010) (above). After reading various reviews and comments about the £12,000 winning photograph I agree that it’s rather underwhelming especially considering the controversy in the previous year of Panayiotis Lamprou's explicit photograph, Portrait of My British Wife and has the same characteristics to David Chancellor‘s ‘Huntress With Buck’ that also features a solemn looking teenage girl with ginger hair with an animal. One can’t help but compare the two and come to the conclusion that this is the winning formula for a portrait prize. Reading Martin Jordan’s review of this exhibition I too believe that ‘Portraiture can depict a range of emotions, give insight, and really connect with the viewer. The best portraiture is subtle, never obvious. This is an odd concept that a serious portrait has to be melancholy. [1] Wandering through the exhibition I rarely saw a smile either but serious looking expressions; apparently a photograph is taken more seriously if the photograph itself is serious.


Despite my discontentment with the same style of expression I am still compelled by entries such as ‘Malega Surma Boy Ethiopa’ by Mario Marino (above) which was used as the cover for the exhibition catalogue (they must have thought this was an eye-catching photograph as well!), ‘Erica E. Born In 1910.’ By Karsten Thormahlen, ‘Kiera Knightly’ by Michael Birt, ‘Old Truman Brewery/Claudia’ by Darren Hall, ‘Dolly Parton’ by Zed Nelson and ‘Leo Gormley, The Ugly Face of Prejudice’ by Mark Johnson and ‘Bibi Aisha’ by Jodi Bieber. With these photographs I was drawn to their stories and I found the characters interesting; despite two sitters that I mentioned being famous, the photographers captured them in a way that wasn’t necessarily cashing on their fame but showing them as another human being too, as being ‘real’.  Mario Marino’s Malega Surma Boy Ethiopa was a particular favourite of mine, a concoction of deep earthy brown, like rich dark chocolate with a break up of ivory and rust making this image exquisite in colour and technicality as well as capturing a beautiful portrait. Out of the 6000 entries I believe this should have been in the top 3 winning photographs.

Despite visitor numbers dropping considerably from 2009 [2] this exhibition did prove more popular than its previous year regardless of comments calling this exhibition ‘dull’ and ‘uninspiring’; I believe this is referred to the prize winners rather than the other exceptional shortlisted portraits. Attending this exhibition with my fellow photography course mates I was able to engage with many thought-provoking portraits proving that we still have something to talk about. Applications are open for 2012 entry with a closing date 9 July 2012. The Taylor Wessing Photographic Portrait Prize is one of the biggest photography events across the globe and I hope for more diversity in this year’s entries. Let’s hope it’s not another teenage girl with an animal as the winning photograph.

References
2. National Portrait Gallery past Exhibitions; http://www.npg.org.uk/whatson/exhibitions/past.php [Accessed 13/05/12]

Tyrrell, Katherine; Making a Mark blog; http://makingamark.blogspot.co.uk/2011/11/review-taylor-wessing-photographic.html [Accessed 13/05/12]

Useful Links:
National Portrait Gallery - Taylor Wessing Photographic Portrait Prize http://www.npg.org.uk/photoprize1/site12/index.php

Friday, 11 May 2012

Beauty: Grace Bol by Toto Cullen in Full of Grace



Whilst browsing through fashion blogs, in particular ‘Fashion Gone Rogue[1] I was pleased to find such a striking fashion portrait of a dark black woman. After researching race and beauty especially how dark-skinned models are scarce in the fashion industry it was surprising to see this headshot amongst the fair-skinned faces you regularly see. Though some may say she looks vacant I believe Cullen captures her intensity and how her eyes are almost squinting, but looks natural doing this. I love the splash of red on her lips and compliment the soft blue tones in the shadows on her skin. Her skin is flawless and the studio lighting accentuates her exquisite bone structure. I particularly like the fact she has little hair, like Daemian Smith’s photo of Kelly Moreira; Bol’s hair is natural to her ethnic make-up and isn’t straightened or weaved on a wig to look like Caucasian sleek hair. The beautiful soft tones are what I enjoy most in this image.

1. Full of Grace – Grace Bol (Muse NYC) stars in Toto Cullen’s striking portraits wearing a mix of colorful designs and makeup. Styled by Andrea Perini, the designs of Karl Lagerfeld, Versace and Charles Anastase stand out with her elegant poses. / Makeup by Kristen Arnett


References:

Other images in the shoot:




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