Showing posts with label Photographer. Show all posts
Showing posts with label Photographer. Show all posts

Wednesday, 16 May 2012

In Discussion: Photography and The Law


What are the Morals and Ethics?

Reading on the infamous photography legal case between renowned photographer Philip-Lorca diCorcia and Erno Nussenzweig, an Orthodox Jew it raised question on the morals and ethics of reproducing images, photographing the public and who should own the copyright. Read more on the case here [1].

Philip-Lorca diCorcia's photo of Nussenzweig from his portraiture series 'Heads' (2001)

After acknowledging various viewpoints I have come to agree with the consensus that the photographer has the right to take pictures in a public place and photograph people unknowingly. In Philip-Lorca diCorcia's case, I agree with the New York State Supreme Court's ruling in his favour.

In today's surveillance society everyone is subjected to being watched, by who, we are not knowing; in a sense we are continuously being photographed, frame by frame. A student from my photography course, Rebecca Sharplin-Hughes, states 'The only difference about having your photograph taken is that the photographer has the right to do whatever they please with the photograph, this may mean that a photograph of you is published for all of the public to see,' .

Technology and accessibility have allowed practically anyone to own a device that can take a picture such as a phone camera, DSLR, compact camera and many more. In today's globalized world social networking is particularly prominent today; so an innocent photograph of the street which can capture many people's faces and then published online can be viewed by hundreds and more. This can be seen as a violation of privacy as the people in the photograph have not consented yet this is not necessarily frowned upon or unethical as such yet the viewership can be considerably higher than if a photograph was published in an gallery for example.

If someone, a photographer per se, decides to take this street photography further and to make a 'professional' body of work and publish unsuspecting people of the public in art galleries etc. it is seen as an invasion of privacy. I can relate this issue to instances such as wanting to take a 'professional' DSLR to a concert which I am not allowed purely down to the fact it looks 'snazzier' but compact cameras are accepted yet the function and act of taking a photograph is exactly the same. So in many cases many people see that if a photograph is 'professionally' being taken it can be more unethical but if it's done in an amateur manner it isn't. For example, if a professional photographer used a tripod & camera in the street one may seem more uneasy however an amateur tourist snapping pictures, one wouldn't seem so suspecting. The issue of taking photographs in public can come down to the professional instance however questions such as 'what is professionally taking a photograph' are debatable.

I found this statement interesting by fellow colleague, Sarina Langer's: 'Richard Billingham said that all photography is exploitative, and that all we can do is make the photograph so artistically good that this becomes relatively irrelevant.' I agree with the fact that taking photos in public is fair, but when forcing yourself onto someone's property/land is not only unlawful by trespassing but morally wrong. 

Overall I don't believe in intruding someone's space (in which Philip Lorca diCorica did not do as he used a powerful telephoto lens) is morally right, especially someone's home, however in public people should have the freedom to take photographs and publish them with respect. Then again this raises questions such as 'what is respectable?'.

References:
1. Wikipedia - Nussenzweig v. DiCorcia http://en.wikipedia.org/wiki/Nussenzweig_v._DiCorcia


Useful Links:

Tuesday, 15 May 2012

Image Exposure: Charlotte Free by Terry Richardson

For one of my other modules on my photography course I was looking into fashion photography and style and thought of Terry's work. One of the images that caught my eye whilst looking through his wealth of images on Terry's Diary was one of model Charlotte Free.

Charlotte Free at my studio #9
December 29th, 2011


This particular photograph stands out from his vast archive of images where he posts practically every day. It dates back to December 29th, 2011 with a caption of ‘Charlotte Free at my studio #9’. I like how simple the set-up is with a single flash attached to the camera body as the only source of light. This set-up is most common for his studio portraiture where he shoots many of his friends, acquaintances and models in his home studio. Usually he shoots black/white for this set up however there are examples of colour portraits such as the above photo. Terry prefers taking pictures in a landscape format showing only the torso and face. I think this particular set-up of shooting is Terry’s trademark style and is reminiscent of his portrait editorials for big magazines such as Rolling Stone. There have even been editorials using this simple set up for magazines like Purple Fashion. Despite Charlotte Free being an up-and-coming model being shot for various advertisements I originally thought she was one of Terry’s acquaintances who had quirky style so decided to shoot her over again. The reason why I chose this shot is I like the off white background and the slight vignette from where the flash fades outwards and her carefree expression. Terry has a great knack of getting the most of his subjects and showing off their personality on camera. He isn’t afraid of highlighting the fun side of ‘untouchable’ celebrities and portraying them as normal people who want to have fun too. In relation to my project about photographing people with style and loving what they wear, Charlotte Free is a great example of individual style. This photo isn’t made up and she hasn’t got a make-up/stylist team on hand; she is herself wearing clothes she enjoys wearing. The salmon pink colour in her t-shirt goes with the aesthetics of her hair and pale skin. Though this image only reveals one item of clothing, a person’s style is in much more than the clothes they wear, but how they wear it as well as the characteristics of their hair and skin. The viewer feels the essence of being a kid and having childlike freedom from her ‘The Ren & Stimpy’ t-shirt (which is seen as vintage today) and the motion of flying her hair around.

Useful Links: 

Blog Exposure: Terry's Diary

My new feature 'Blog Exposure' will look at my favourite blogs all over the net alongside my other 'Exposure' posts such as 'Artist Exposure' and other snazzy new features coming soon! In a society slowly obsessed with blogging, a free platform to share our thoughts and snippets of our lives, there's been a sudden emergence in photographic blogs, fashion and all things 'artsy'.

This post will look at one of my favourite photographers: Terry Richardson, a fashion portrait photographer whose style is very bold, suggestive and fearless in his approach. He has photographed from the likes of Lada Gaga, Jared Leto, Katy Perry, Amy Winehouse, Kate Moss and even Barack Obama... (just to name a few!) I love his candid portrait photography especially those of celebrities as he shoots them in such a fun manner you wish you were there joining in with the laughter.

Print screen of Terry's diary home page 15/05/12 00:47 (GMT)  http://www.terrysdiary.com/

On his infamous Tumblr blog: http://www.terrysdiary.com/ which he updates daily the reader gets to see his life in photographs. Its an insight into pop culture's icons, the people we are obsessed with and Terry's diary is a window into that crazy world. He gets access no other photographer has gotten. I love the simple clean layout allowing the photographs speak for themselves and the consistently multiple daily posts. There's currently 599 pages on his blog with 15 images on each page; doing the math that's like 8985 images! Being a portrait lover inspired by pop culture this is the go-to blog.


Print screen of Terry's diary archive page 15/05/12 00:49 (GMT) http://www.terrysdiary.com/archive



Let me know what you think of Terry's Diary and your favourite images from his blog!


Useful Links: 
models.com - Terry Richardson http://models.com/people/terry-richardson

Read More:
V.E.S.T: Image Analysis: Charlotte Free by Terry Richardson http://nishahaqvisualexploration.blogspot.co.uk/2012/05/image-analysis-charlotte-free-by-terry.html

Sunday, 13 May 2012

Beauty: My Generation by Andreas Laszlo Konrath

2004-2010

I enjoy discovering new art and Konrath’s work was found by chance after a succession of internet links [1] all connected by the world wide web but every HTML unique in its code. Like the human race, we are all made up of different genetic codes but all belong to the same species. Celebrating differences and uniqueness is a popular subject amongst modern artists including Konrath’s ‘My Generation’ series. Like many photographers before him he has adopted this style of a plain white background, studio style set up and opted for black-and-white portraiture, reminiscent of Richard Avedon and David Bailey. Despite being relatively unknown Konrath embodies youthfulness and instead of having the privilege to shoot celebrities focuses on shooting his own generation and their distinct style. Like Scott Schuman states in ‘The Sartorialist’:  ‘That is why young people, or the young at heart, are those that inspire or move fashion forward. They are still struggling to find themselves: ‘Am I a rocker? A footballer? Or a little bit of both?’ These contra-dictions produce the most interesting looks’. [2] Konrath shoots beautiful, sincere portraits of his young generation showcasing the diversity. ‘Sheryl, 2007’ (above) is particularly engaging as I am first intrigued by her ethnicity however I don’t believe this is the main focus; her individuality is what Konrath is trying to show rather than her representing a whole race; she is being photographed representing herself only. The tattoo on her shoulder adds to the uniqueness of her character and her fresh face shows she isn’t hiding behind a mask of make-up. Looking through ‘My Generation’ has been inspiring and I enjoy realizing different styles to emphasize individuality within a similar age group. I also like the ‘grunge’ effect on the borders making the ‘clean’ images smudged with imperfection. This reflects youth where many people make mistakes and are learning. Not only does this series look at youth but the beauty within. I believe this portraits are very beautiful as they’re simply shot and captures people as they are, natural.

[Left – right]
1. Max, 2006 / 2. Sean, 2006 / 3.Vala, 2010 / 4.Erin, 2008



References: 
1. Discovered on http://www.nutopiaforum.com/magazine.html [accessed 06/05/12], an online magazine showcasing photography from emerging artists created by Platon, renowned for his portrait photographs of well-known world figures. His work has featured on magazine covers such as Time, Rolling Stone and Esquire. 
2. Schuman, Scott; ‘The Sartorialist’; published: Penguin (Sep 3 2009)


Useful Links:

Beauty: Kelly Moreira by Daemian Smith + Christine Suarez

May 6 2011

Although this isn’t commissioned work I believe it’s one of Smith’s strongest works where he photographs models as a simple headshot showcasing their natural beauty rather than made up in unnatural poses selling garments. These portraits are like the Polaroids casting agents take when looking for models however don’t show the depth and detail that Smith captures. Much of his portraits in this style are shot black-and-white but I believe colour adds complimentary softness unlike the monochrome images which have a hint of harshness. I particularly chose to highlight this image as in the fashion world fair-skinned models dominate the catwalk and billboards so it is a rare occasion to see natural dark skinned beauty. Looking into beauty, Smith shows that modification doesn’t necessarily mean automatic attractiveness as Kelly Moreira (above) is naturally stunning. With today’s society obsessed with fair skin and sleek hair, Moreira goes against the norm and stands beautiful in her own skin. I especially like portraits with a shallow depth of field and believe this is shot on a 50mm lens to create the depth that is desirable in head shots. The soft focus accentuates her soft skin and draws focus on her dark eyes where the viewer is transfixed.

References:
Check out Daemian Smith and Christine Suarez blog 'Should Have Taken More Pictures'

Useful Links:
Check out my Sept 2010 post on my blog M.A.S.H on this photographer and their model portraits: http://mashthings.blogspot.co.uk/2010/09/black-white-portraiture-by-daemian.html

More images of fresh faced models:
[Above, captions left-right]
1. The hypnotic eyes of beautiful Kristina at New York Models. Shot with the Leica S2. / 18 Apr 2012
2. TSANNA / 22 May 2010
3. Rose Cordero / 16 Nov 2010
4. The beautiful skin tone of Jenny Albright at New York Models. / 5 Apr 2012


[Above, captions left-right]
1. Enyelisa at IMG. Shot with the Leica S2. / 16 Apr 2012
2. Flawless Fanny Fournier. / 17 Aug 2010
3. The graceful and expressive face of Lise Aanes at Root Management. Shot with the Leica S2 / 22 Mar 2012
4. Our beautiful friend Nina De Raadt at Ford. / 27 Apr 2012

Friday, 11 May 2012

Beauty: Grace Bol by Toto Cullen in Full of Grace



Whilst browsing through fashion blogs, in particular ‘Fashion Gone Rogue’ [1] I was pleased to find such a striking fashion portrait of a dark black woman. After researching race and beauty especially how dark-skinned models are scarce in the fashion industry it was surprising to see this headshot amongst the fair-skinned faces you regularly see. Though some may say she looks vacant I believe Cullen captures her intensity and how her eyes are almost squinting, but looks natural doing this. I love the splash of red on her lips and compliment the soft blue tones in the shadows on her skin. Her skin is flawless and the studio lighting accentuates her exquisite bone structure. I particularly like the fact she has little hair, like Daemian Smith’s photo of Kelly Moreira; Bol’s hair is natural to her ethnic make-up and isn’t straightened or weaved on a wig to look like Caucasian sleek hair. The beautiful soft tones are what I enjoy most in this image.

1. Full of Grace – Grace Bol (Muse NYC) stars in Toto Cullen’s striking portraits wearing a mix of colorful designs and makeup. Styled by Andrea Perini, the designs of Karl Lagerfeld, Versace and Charles Anastase stand out with her elegant poses. / Makeup by Kristen Arnett


References:

Other images in the shoot:




Beauty: Jean Patchett by Erwin Blumenfeld, Jan 1950


Blumenfeld’s 1950’s Vogue photograph is the epitome of female beauty; it highlights the main components for a beautiful face: the eyes and lips. This graphic photograph is so striking, and rightly so made it the cover of the dawn of the new decade (Jan 1950) showing how beauty is transforming. Andy Port [1] (NY Times Blog) writes: ‘Jean Patchett’s face reduced to a beauty mark, mouth, eye, brow and nose. If ever there were a visual haiku, this is it. Woman distilled to her essence; the sum of her parts more alluring than the whole.’ I agree that this image is incredibly alluring, right down to the beauty spot. The fact that he chose to keep the beauty spot shows almost juxtaposes with the idea of keeping the little details yet he has rid most of her face including the main canvas: her skin. Despite all that is erased her face is not expressionless, in fact she evokes much more; her seductive eyes and sensual lips are captivating enough that the reader see no more. This image shows the power of beauty and expression in basically two features on a face. One might say that Bluemfeld is empowering women and that they simply don’t need more than basic features to express how they feel. However one may read it as the photographer is eradicating her features like a blank canvas and that ‘beauty’ can be painted on with make-up and that beauty does not lie within her expression but in a mask. Another interpretation of this image is that beauty is white due to the vastness of white representing white skin and showcasing Caucasian features. At this time white people were seen as the dominant race in America, could this image represent that beauty is determined by levels of superiority in race?


References:
1. Port, Andy; New York Times Blog; published Apr 16 2009; http://tmagazine.blogs.nytimes.com/2009/04/16/extra-credit-erwin-blumenfelds-dada/ [Accessed at 01/05/12]

Useful Links:
Extreme Beauty in Vogue (D&G) http://extremebeautyinvogue.wordpress.com/

Beauty: Brigitte Bardot by Richard Avedon, Jan 27 1959



I came across this beautiful photo of the actress in the catalogue ‘Richard Avedon Photographs 1946-2004’ (Louisiana Museum of Modern Art, 2007) and was instantly captivated by how timeless this photograph was especially being shot in 1959 which could easily pass as an art beauty glamour shot today. The blurred focus of her voluminous hair adds to the desirability of the sitter, the viewer is not only drawn to her oozing sex appeal but the way Avedon captures her softness as well balances the photograph. The fact its shot in black and white also adds to the timelessness and the viewer isn’t overwhelmed by glamour if colour was present. Avedon is renowned for his fashion photography however he was a master of the portrait as well. In Helle Crenzien’s ‘True Artist’ essay (featured in the book) she writes ‘Avedon ranges wide and his photographs exhibit a visual duality: they are photographs taken by a strong, complex personality. Avedon tries to bring out more facets rather than just to reproduce his sitters from an arbitrary point of view. [He] is a co-creator – not just an observer. [He] shows that the photograph can show or reveal much more than the superficial truth’. I agree with Crenzien’s view on Avedon and this description can be applied to the above image. The reason I chose to analyse this photograph out the many wonderful images in the book is the simple beauty that Bardot possesses. Face-on with the illusion of her being naked enhances the allure. The simplicity of the composition speaks volume as the focus is on her expression. This is a true portrait of beauty.

References:
Holm, Michael (Editor); Avedon, Richard (Photographer) ‘Richard Avedon Photographs 1946-2004’; published:  Louisiana Museum of Modern Art, First Edition (Dec 15 2007)

Useful Links:
Louisiana Museum of Modern Art http://www.louisiana.dk/dk

Thursday, 10 May 2012

Artist Exposure: Photographer Benoit Paillé

So I've decided to create a feature: 'Artist Exposure' which basically 'does what it says on the tin' sharing great work by great artists. This post will highlight amazing photographer, Benoit PaillĂ©'s who's work I've been following for a year now on Flickr http://www.flickr.com/photos/benoitpaille/ and his work just grows from strength to strength. In particular I love his sincere portraits and creative conceptual art series. He's created strong projects such as Night, Alternative Landscapes, Light Experimentation, Stranger, Self-Portrait Stranger, Art Installation Japan and one of my favourites; Rainbow Gathering (below).

Rainbow Gathering is a series of portraits of his family. He states [1]
'I decided to photograph my family, my brothers and sisters. I have been going to rainbow gatherings for 7 years now, and I have taken pictures of it for the past 3 years. The pictures you see are very precious since photography is not usually allowed during the event, so please be respectful to my brothers and sisters

People are love,
are magic,
are beauty
these sister and brother are the people of the future.'
Being a portrait photographer myself I am instantly drawn to captivating expressions and characters and Paille captures this in the faces of Rainbow Gatherers. It is interesting as a viewer to get an insight to an event that doesn't usually allow photographs taken so the project itself is a rarity making it completely unique. We are transported into a world of 'peace, love, harmony, freedom and community'.[1] It is understandable to see why photography isn't allowed, as it can be seen as a medium of 'consumerism, capitalism and mass media' [1] however as Paille is a part of the family he isn't exploiting them, he is showing us and educating us that there are alternative lifestyles and great diversity in the world. In this series he travels to various locations for Rainbow Gatherings from Spain to Mexico and Canada which I think is amazing this project spans across the globe.

This is my favourite from the series:

Rainbow Gathering Québec,Canada 2010


(C) Benoit.P

(Above photo) I am instantly drawn to the beauty of her female form and how she seems so at peace with nature. The colours are beautiful and how he creates a serene landscape is remarkable balancing both portraiture and landscape in one composition. I like how natural she looks and how this doesn't seem posed. The fact this mysterious woman isn't looking at the camera hides her identity yet reveals everything but. This is what makes the photograph intensely intriguing. The details also make the image come alive, from the minute water droplets on her back, to the pink of her erect nipple and the reflection in the ripples adds to the beauty and serenity. This photo represents: 'peace, love, harmony, freedom.' [1]



Other favourites of mine in the series











All work (C) Benoit.P
All images from Benoit.P Flickr

References

Useful Links
Benoit Paille Behance http://www.behance.net/Benoitp

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